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Chapter 26CanticoEsp.1.26

Canción XXV

The Bride's Threefold Praise

The Bride introduces a song that praises three graces given to souls: sweetness, a love-visit, and abundant charity.

Annotation of the following song The soul that reaches this stage of perfection isn't content with magnifying and praising the excellences of her Beloved, the Son of God, nor with recounting and giving thanks for the favors she receives from him and the delights she enjoys in him; she also recounts those he grants to other souls, because the soul perceives both in this blessed union of love. For this reason, praising him and magnifying the many favors he grants to other souls, she says this song:1 In the wake of your footprint the young ones run along the way— at the touch of a spark, at the spiced wine, outpourings of divine balsam. Exposition In this song, the Bride praises her Beloved for three favors that devout souls receive from him, by which they are more encouraged and raised up to the love of God; and because she herself experiences them in this state, she mentions them here. The first, she says, is the sweetness he gives them from himself, which is so powerful that it makes them walk very swiftly along the path of perfection. The second is a visit of love by which he suddenly inflames them with love. The third is an abundance of charity that he pours into them, with which he so intoxicates them that it makes them lift up their spirit—both through this intoxication and through the visit of love—to send praises to God and sweet affections of love; and so she says:

Following the Footprint

The soul explains how God's sweet 'footprint' draws devout souls to run swiftly on the path of perfection.

Following in your footsteps. A footprint is a trail of the person who made it, by which one tracks and searches for its maker. Similarly, the sweetness and knowledge God gives of himself to the soul that seeks him is a trail and footprint by which one continues to know and seek God. That's why the soul says here to the Word, her Bridegroom: “In the wake of your footprint”—that is, following the trail of sweetness that you imprint and infuse in them from yourself, and the fragrance you pour out from yourself.2 The young ones run along the path. In other words, devout souls, with youthful strength received from the sweetness of your footprint, set out on their course; that is, they run in many directions and in many ways—for that is what it means to course along: each one along the path and lot God gives her of spirit and state, with many different spiritual exercises and works, toward the way of eternal life, which is evangelical perfection, by which they meet the Beloved in a union of love after the nakedness of spirit of all things.3 This sweetness and trail that God leaves of himself in the soul greatly lightens it and makes it run after him, because then the soul does very little or nothing on its own to walk this path. Rather, it is moved and drawn by this divine footprint of God, not only to go out, but to run in many ways, as we have said, along the path. That is why the Bride in the Song of Songs asked the Bridegroom for this divine drawing, saying: Trahe me post te curremus in odorem unguentorum tuorum; that is: "Draw me after you, and we will run to the fragrance of your ointments."4 And David says: Viam mandatorum tuorum cucurri, cum dilatasti cor meum; "I ran the way of your commandments when you enlarged my heart."5

The Spark Touch and Seasoned Wine

The soul describes the interior exercises caused by two favors: a sudden fiery 'spark touch' and a 'seasoned wine' that intoxicates the will.

At the touch of a spark, at the spiced wine, emissions of divine balsam.✦6 In the first two short verses we explained that the souls, following the trail, make their way along the path with exterior exercises and works. And now in these three verses the soul makes known the exercise these souls do interiorly with the will, moved by two other favors and interior visits the Beloved grants them—which she here calls a spark's touch and seasoned wine—and the interior exercise of the will that results from and is caused by the two visits she calls emissions of divine balsam.78 As for the first, you should know that this spark's touch she speaks of here is a most subtle touch the Beloved sometimes gives the soul, even when she is most off her guard, so that it sets her heart ablaze in a fire of love; and it seems nothing other than a spark of fire that leapt out and set her on fire. Then with great swiftness, like someone who suddenly remembers, the will kindles in love—to desire and praise, to thank and revere, to esteem and pray to God with the savor of love. These things she calls emissions of divine balsam, which answer to the touch of sparks come from the burning divine love that struck the spark—divine balsam that comforts and heals the soul with its fragrance and substance.910 Of this divine touch the Bride speaks in the Song of Songs: Dilectus meus misit manum suam per foramen, et venter meus intremuit ad tactum ejus; which means: "My Beloved put his hand through the opening, and my belly trembled at his touch."✦11 The Beloved's touching is the touch of love we speak of here that he gives the soul; the hand is the grace he grants in it; the opening through which this hand entered is the manner and mode and perfection—at least the degree of it—that the soul possesses; because according to that mode the touch usually comes, more or less, and in one way or another of the soul's spiritual quality. Her belly, which she says trembled, is the will, in which this touch takes place; and the trembling is the rising up in her of the appetites and affections toward God—desiring, loving, praising, and the rest of what we have said—which are the emissions of balsam that overflow from this touch, as we say.

The Intoxication of Perfect Love

The seasoned wine represents a longer, settled intoxication of the Holy Spirit in perfect souls, leading to enduring acts of praise and desire to suffer for God.

To the spiced wine. This seasoned wine is another, much greater favor that God sometimes grants to advanced souls, in which the Holy Spirit intoxicates them with a wine of love that is gentle, delightful, and strengthening; that is why he calls it seasoned wine. For just as such wine is cooked with many and various fragrant and fortifying spices, so this love—the love God gives to the perfect—is already cooked and settled in their souls and seasoned with the virtues the soul has gained. Seasoned with these precious spices, it puts such strength and abundance of gentle intoxication in the soul in the visits God makes to her that, with great efficacy and force, it makes her send up to God those emissions or intoxications of praising, loving, or reverencing, and so on.1213 that we speak of here; and this with wonderful desires to act and to suffer for him.14 And you should know that this gentle intoxication and the favor he grants her in it do not pass as quickly as the spark, because it is more settled. For the spark touches and passes, but its effect lasts a while; and sometimes the seasoned wine itself, and its effect, tend to last quite a long time—which is, as I say, gentle love in the soul, sometimes for a day or two, and at other times for many days, though not always at one degree of intensity, because it eases and grows without being in the soul's hands. For sometimes, without doing anything on her part, the soul feels in her inmost substance her spirit gently becoming intoxicated and set aflame with this divine love, according to what David says: Concaluit cor meum intra me: et in meditatione mea exardescet ignis; which means: "My heart grew hot within me, and in my meditation a fire will kindle."✦1516 The emissions of this intoxication last, at times, for the whole time it lasts; because at other times, though the intoxication is in the soul, it is without those emissions, and when they come they are more or less intense according as the intoxication is more or less intense. But the emissions or effects of the spark ordinarily last longer than the spark itself; rather, the spark leaves them in the soul, and they are more ardent than those of the intoxication, because at times this divine spark leaves the soul burning and being consumed in love.17 And since we have spoken of cooked wine, it will be good to note here briefly the difference between cooked wine, which they call aged, and new wine; it will be the same difference there is between new wines and aged ones, and it will serve as a little teaching for those who are spiritual.18 New wine has not digested its lees or settled them; and so it ferments outwardly, and you cannot know its goodness and worth until it has thoroughly digested the lees and their fury, because until then it stands in great danger of going bad. It has a coarse, harsh taste, and drinking much of it spoils the one who drinks it.19 But aged wine already has its lees settled and digested; and so it does not have those outward boilings of the new. The goodness of the wine can already be seen, and it is already quite safe from going bad, because those boilings and furies that could spoil it have already ended. And so well-cooked wine rarely goes bad or is lost. It has a gentle flavor, and its strength is in the substance of the wine, no longer in the taste; and so drinking it puts the drinker in good condition and gives him strength.20 New lovers are compared to new wine: these are those who are beginning to serve God, because they carry the fervors of love very much outwardly in the sense, since they have not yet digested the lees of the weak and imperfect sense, and they have the strength of love in the savor of it. For ordinarily what gives them strength to act is the sensory savor, and they are moved by it. And so there is no trusting this love until those fervors and coarse delights of the sense have ended. For just as these fervors and the heat of the sense can incline them toward good and perfect love, and serve them as a good means to it, once the lees of their imperfection are well digested, so also in these beginnings and this novelty of tastes it is very easy for the wine of love to fail and for the new fervor and savor to be lost.21

The Maturity of Aged Love

The soul contrasts new lovers with old, proven lovers who taste love in substance rather than sense, and summarizes the stanza's meaning.

And these new lovers always carry sensory yearnings and fatigues of love; they need to temper that kind of life, because if they work hard according to the force of the wine, their natural constitution will be ruined by these yearnings and fatigues of the must—that is, of the new wine we said was harsh and coarse, and not yet mellowed in finished aging, when those yearnings of love come to an end, as we will say later. The Wise Man sets out this same comparison in Ecclesiasticus, saying: Vinum novum, amicus novus; veterascet, et cum suavitate bibes illud—which means: "A new friend is like new wine; it will age, and then you will drink it with smoothness." So the old lovers—already practiced and proven in the Bridegroom's service—are like aged wine, whose dregs have already been cooked away and which no longer has those sensory fermentations or those outer frenzies and fervent fires; instead they taste the smoothness of the wine of love already well cooked in substance, resting now not in that flavor of the senses, as the love of the new does, but settled deep within the soul in substance and in the flavor of spirit and the truth of works. And such as these do not want to cling to those sensory flavors and fermentations, nor do they want to taste them, so as not to suffer the bitter aftertastes and hardships—because whoever gives the appetite free rein for some sensory pleasure will inevitably also have pains and displeasures in the senses and in the spirit. And so, since these old lovers no longer have the spiritual sweetness that has its root in the senses, they no longer carry longings or pains of love in the senses or the spirit; and thus they almost never fail God, because they stand above what would make them fail—that is, above sensuality. And they have the wine of love not only already cooked and purged of dregs, but even seasoned, as the verse says, with the spices we spoke of—perfect virtues—which keep it from going bad the way new wine does.22 That is why the old friend is held in high esteem before God, and so Ecclesiasticus says of him: Ne derelinquas amicum antiquum; novus enim non erit similis illi—which means: Do not abandon the old friend, for the new one will not be like him.23 In this wine of love, then—already proven and seasoned in the soul—the divine Beloved produces the divine intoxication we have spoken of, and by its strength the soul sends to God the sweet and delightful outpourings.24 And so the meaning of those three little verses is as follows: At the touch of the spark with which you awaken my soul, and at the seasoned wine with which you lovingly intoxicate it, she sends you the outpourings of movements and acts of love that you cause in her.25

Read the original Spanish

Anotación de la canción siguiente

No se contenta el alma que llega a este tiempo de perfección de engrandecer y loar las excelencias de su Amado, el Hijo de Dios, ni de contar y agradecer las mercedes que de él recibe y deleites que en él goza, sino también refiere las que hace a las demás almas, porque lo uno y lo otro echa de ver el alma en esta bienaventurada unión de amor; por lo cual, alabándole ella y engrandeciéndole las muchas mercedes que hace a las demás almas, dice esta canción:

A zaga de tu huella Los jóvenes discurren al camino, Al toque de centella, Al adobado vino, Emisiones de bálsamo divino.

DECLARACIÓN

En esta canción alaba la esposa a su Amado de tres mercedes que de él reciben las almas devotas, con las cuales se animan más y levantan al amor de Dios; las cuales, por experimentarlas ella en este estado, hace aquí de ellas mención. La primera dice que es la suavidad que de sí les da, la cual es tan eficaz, que les hace caminar muy apriesa al camino de la perfección. La segunda es una visita de amor con que súbitamente las inflama en amor. La tercera es abundancia de caridad que en ellas infunde, con que de tal manera las embriaga, que las hace levantar el espíritu, así con esta embriaguez como la visita de amor, a enviar alabanzas a Dios y afectos sabrosos de amor; y así, dice:

A zaga de tu huella.

La huella es rastro de aquel cuya es la huella, por la cual se va rastreando y buscando quién la hizo; la suavidad y noticia que da Dios de sí al alma que le busca, es rastro y huella por donde se va conociendo y buscando Dios; por eso dice aquí el alma al Verbo, su esposo: «A zaga de tu huella»; esto es, tras el rastro de suavidad que de ti les imprimes e infundes, y olor que de ti derramas.

Los jóvenes discurren al camino.

Es a saber, las almas devotas con fuerzas de juventud recibidas de la suavidad de tu huella discurren; esto es, corren por muchas partes y de muchas maneras, que eso quiere decir discurrir cada una por la parte y suerte que Dios le da de espíritu y estado con muchas diferencias de ejercicios y obras espirituales al camino de la vida eterna, que es la perfección evangélica, con la cual encuentran con el Amado en unión de amor después de la desnudez de espíritu de todas las cosas. Esta suavidad y rastro que Dios deja de sí en el alma, grandemente la aligera y hace correr tras él; porque entonces es muy poco o nada lo que el alma trabaja de su parte para andar este camino; antes es movida y atraída de esta divina huella de Dios, no sólo a que salga, sino a que corra de muchas maneras, como habemos dicho, al camino. Que por eso la Esposa en los Cantares pidió al Esposo esta divina atraición; diciendo: Trahe me post te curremus in odorem unguentorum tuorum; esto es: «Atráeme tras de ti, y correremos al olor de tus ungüentos». Y David dice: Viam mandatorum tuorum cucurri, cum dilatasti cor meum; «El camino de tus mandamientos corrí cuando dilataste mi corazón».

Al toque de centella, Al adobado vino, Emisiones de bálsamo divino.

En los dos versillos primeros habemos declarado que las almas, a zaga de la huella, discurren al camino con ejercicios y obras exteriores. Y ahora en estos tres versos da a entender el alma el ejercicio que interiormente estas almas hacen con la voluntad, movidas por otras dos mercedes y visitas interiores que el Amado les hace, a las cuales llama aquí toque de centella y adobado vino, y al ejercicio interior de la voluntad que resulta y se causa de las dos visitas, llama emisiones de bálsamo divino. Cuanto a lo primero, es de saber que este toque de centella que aquí dice, es un toque subtilísimo que el Amado hace al alma a veces, aun cuando ella está más descuidada, de manera que le enciende el corazón en fuego de amor, y no parece sino una centella de fuego que saltó y la abrasó y entonces con grande presteza, como quien de súbito recuerda, se enciende la voluntad en amor, y desear y alabar, y agradecer y reverenciar, y estimar y rogar a Dios con sabor de amor; a las cuales cosas llama emisiones de bálsamo divino, que responden al toque de centellas salidas del divino amor abrasador que pegó la centella, que es bálsamo divino que conforta y sana al alma con su olor y sustancia.

De este divino toque dice la Esposa en los Cantares: Dilectus meus missit manum suam per foramen, et venter meus intremuit ad tactum ejus; que quiere decir: «Mi Amado puso su mano por la manera, y mi vientre se estremeció a su tocamiento». El tocamiento del Amado es el toque de amor que aquí decimos que hace al alma, la mano es la merced que en ello hace, la manera por donde entró esta mano es la manera y modo y perfección, a lo menos el grado de ella, que tiene el alma; porque al modo de él suele ser el toque en más o menos, y en una manera o en otra de calidad espiritual del alma. El vientre suyo que dice se estremeció, es la voluntad, en que se hace el dicho toque, y el estremecerse es levantarse en ella los apetitos y afectos a Dios de desear amar, alabar, y los demás que habemos dicho, que son las emisiones de bálsamo que de este toque redunda, según decimos.

Al adobado vino.

Este adobado vino es otra merced muy mayor que Dios algunas veces hace a las almas aprovechadas, en que las embriaga el Espíritu Santo con vino de amor suave, sabroso y esforzoso; por lo cual le llama vino adobado; porque, así como el tal vino está cocido con muchas y diversas especies olorosas y esforzosas, así este amor, que es el que Dios da a los perfectos, está ya cocido y asentado en sus almas y adobado con las virtudes que el alma tiene ganadas; el cual, con estas preciosas especies adobado, tal esfuerzo y abundancia de suave embriaguez pone en el alma en las visitas que Dios le hace, que con grande eficacia y fuerza le hace enviar a Dios aquellas emisiones o embriagamientos de alabar, amar o reverenciar, etc. , que aquí decimos; y esto con admirables deseos de hacer y padecer por él. Y es de saber que esta suave embriaguez y merced que en ella le hace no pasa tan presto como la centella, porque es más de asiento; porque la centella toca y pasa, mas dura algo su efecto, y algunas veces el vino adobado suele algo más durar ello y su efecto harto tiempo; lo cual es, como digo, suave amor en el alma, y algunas veces un día o dos, y otras hartos días, aunque no siempre en un grado de intensión; porque afloja y crece sin estar en mano del alma; porque algunas veces, sin hacer nada de su parte, siente el alma en la íntima sustancia irse embriagando suavemente su espíritu e inflamando de este divino amor; según aquello que dice David: Concaluit cor meum intra me: et in meditatione mea exardescet ignis; que quiere decir: «Mi corazón se calentó dentro de mí, y en mi meditación se encenderá fuego». Las emisiones de esta embriaguez duran todo el tiempo que ella dura, algunas veces; porque otras, aunque la haya en el alma, es sin dichas emisiones, y son más y menos intensas cuando las hay, cuanto es más o menos intensa la embriaguez; mas las emisiones o fectos de la centella ordinariamente duran más que ella, antes ella los deja en el alma y son más encendidos que los de la embriaguez; porque a veces esta divina centella deja al alma abrasándose y quemándose en amor. Y porque habemos hablado de vino cocido, será bien notar aquí brevemente la diferencia del vino cocido, que llaman aniejo, y del nuevo; que será la misma que hay entre los vinos nuevos y aniejos, y servirá para un poco de doctrina para los espirituales. El vino nuevo no tiene digerida la hez ni asentada; y así, hierve por de fuera y no se puede saber la bondad y valor de él hasta que haya digerido bien la hez y furia de ella, porque hasta entonces está en mucha contingencia de malear; tiene el sabor grueso y áspero, y estraga el sujeto beber mucho de ello. Pero el vino aniejo tiene ya la hez asentada y digerida; y así, no tiene aquellos hervores del nuevo por defuera; échase ya de ver la bondad del vino y está ya muy seguro de malearse, porque se le acabaron ya aquellos hervores y furias que le podían estragar; y así, el vino bien cocido, por maravilla se malea ni se pierde; tiene el sabor suave y la fuerza en la sustancia del vino, no ya en el gusto; y así, la bebida de él hace buena disposición y da fuerza al sujeto. Los nuevos amadores son comparados al vino nuevo: éstos son los que comienzan a servir a Dios, porque traen los fervores del amor muy por defuera en el sentido, porque aún no han digerido la hez del sentido flaco e imperfecto, y tienen la fuerza del amor en el sabor de él; porque a éstos ordinariamente les da la fuerza para obrar el sabor sensitivo, y por él se mueven; y así, no hay que fiar de este amor hasta que se acaben aquellos fervores y gustos gruesos del sentido; porque, así como estos fervores y calor del sentido los pueden inclinar a bueno y perfecto amor, y servirle de buen medio para él, digeriéndose bien la hez de su imperfección; así también es muy fácil en estos principios y novedad de gustos, faltar el vino del amor y perderse el fervor y sabor de nuevo.

Y éstos nuevos amadores siempre traen ansias y fatigas de amor sensitivas; a los cuales conviene templar la tal vida, porque si obra mucho según la fuerza del vino, estragarse ha el natural con estas ansias y fatigas del mosto, es a saber, del vino nuevo que decíamos era áspero y grueso, y no suavizado aún en la acabada cocción, cuando se acaban esas ansias de amor, como luego diremos.

Esta misma comparación pone el Sabio en el Eclesiástico, diciendo: Vinum novum, amicus novus; veterascet, et cum suavitate bibes illud; que quiere decir: «El amigo nuevo es como el vino nuevo, añejarse ha, y beberaslo con suavidad». Por tanto, los viejos amadores, que son ya los ejercitados y probados en el servicio del Esposo, son como el vino aniejo, que tiene ya cocida la hez y no tiene aquellos hervores sensitivos ni aquellas furias ni fuegos fervorosos de fuera, mas gusta la suavidad del vino de amor ya bien cocido en sustancia, estando ya, no en aquel sabor del sentido, como el amor de los nuevos, sino asentado allá dentro en el alma en sustancia y sabor de espíritu y verdad de obra; y no se quieren los tales asir a esos sabores y hervores sensitivos ni los quieren gustar por no tener sinsabores y fatigas, porque el que da rienda al apetito para algún gusto del sentido, también de necesidad ha de tener penas y disgustos en el sentido y en el espíritu; de donde, por cuanto estos amantes viejos carecen ya de la suavidad espiritual que tiene su raíz en el sentido, no traen ya ansias ni penas de amor en el sentido ni espíritu; y así, por maravilla faltan a Dios, porque están sobre lo que les había de hacer falta, esto es sobre la sensualidad; y tienen el vino de amor no sólo ya cocido y purgado de hez, más aún, adobado, como se dice en el verso, con las especies que decíamos de virtudes perfectas, que no lo dejan malear como el nuevo. Por eso el amigo viejo delante de Dios es de grande estimación y así, dice de él el Eclesiástico: Ne derelinquas amicum antiquum; novus enim non erit similis illit; que quiere decir: No desampares al amigo antiguo, porque el nuevo no será semejante a él. En este vino, pues, de amor, ya probado y adobado en el alma, hace el divino Amado la embriaguez divina que habemos dicho, con cuya fuerza envía el alma a Dios las dulce y sabrosas emisiones. Y así, el sentido de los dichos tres versillos es el siguiente: Al toque de centella, con que recuerdas mi alma, y al adobado vino, con que amorosamente la embriagas, ella te envía las emisiones de movimientos y actos de amor que en ella causas.

Scripture echoes

  1. ↩Song.8.2 — I would lead you and bring you to my mother's house— she who taught me. I would give you spiced wine to drink, the nectar of my pomegranates.
  2. ↩Song.5.4 — My beloved put his hand to the hole, and my heart was stirred within me.
  3. ↩Ps.38.4;Ps.39.3 — There is no soundness in my flesh because of your wrath; there is no peace in my bones because of my sin. Ps.39.3 — I was mute in silence; I held back from good, and my pain was stirred up.

Notes

  1. 1 ↩Spanish mercedes rendered as favors (gracious gifts bestowed), not as misericordia/mercy in the narrower sense.
  2. 2 ↩Spanish noticia in this mystical register means inward knowledge/awareness of God, not "news"; rendered as knowledge.
  3. 3 ↩desnudez de espíritu de todas las cosas: Sanjuanist technical phrase for the spirit stripped bare of created things; rendered literally as nakedness of spirit of all things.
  4. 4 ↩Latin lemma Trahe me post te... from Cantares/Song of Songs; Spanish gloss retained in modern English. Final Moses resolution deferred to later stage.
  5. 5 ↩Latin lemma from the Psalter (Vulg. Ps 118:32 / Heb. Ps 119:32); Spanish gloss rendered in modern English. Final Moses resolution deferred to later stage.
  6. 6 ↩adobado vino: rendered as 'spiced wine' (seasoned/perfumed wine), the usual Canticle sense rather than merely 'prepared' wine.
  7. 7 ↩mercedes rendered as favors (divine gifts/mercies accompanying the interior visits), not generic kindness.
  8. 8 ↩adobado vino kept as seasoned wine, matching the poem's metaphor rather than paraphrased away.
  9. 9 ↩subtilísimo rendered most subtle (exceedingly fine/delicate), not clever.
  10. 10 ↩descuidada rendered most off her guard (inattentive/careless), not morally negligent in a blame sense.
  11. 11 ↩Juan renders Latin foramen as Spanish "manera" (opening/way); the next sentence allegorizes that opening as the soul's manner, mode, and degree of perfection.
  12. 12 ↩adobado vino kept as seasoned wine, matching CanticoEsp.1.26.11 commentary usage (verse lines elsewhere sometimes say spiced wine).
  13. 13 ↩merced rendered as favor (divine gift), not generic kindness; emisiones kept as emissions to stay tied to the Canticle verse term.
  14. 14 ↩Sentence is a segmented continuation of s1 (source begins with a comma after etc.); rendered as a dependent continuation, not a free-standing clause.
  15. 15 ↩más de asiento rendered more settled (abiding/established), contrasting the spark's fleeting touch.
  16. 16 ↩intensión taken as intensity (not intention).
  17. 17 ↩Source reading fectos treated as efectos (effects); most plausible intended sense.
  18. 18 ↩aniejo = añejo, rendered aged.
  19. 19 ↩hez rendered lees (wine sediment); hierve por de fuera as ferments outwardly.
  20. 20 ↩por maravilla rendered rarely (scarcely ever); fuerza en la sustancia… no ya en el gusto kept as strength in the wine's substance, no longer in the taste.
  21. 21 ↩sentido kept as the sense (sensory appetite/faculty), not merely meaning; gustos gruesos as coarse delights.
  22. 22 ↩Source spelling aniejo read as añejo ("aged").
  23. 23 ↩Source Latin illit corrected to illi (standard Vulgate reading of Ecclus./Sirach 9:14).
  24. 24 ↩emisiones rendered as outpourings (Juan's technical term for love's outward movements); source agreement las dulce read as las dulces.
  25. 25 ↩recuerdas rendered as awaken (archaic/devotional sense of recordar = to rouse), not remember.

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