The Form of Living
Forme of Lyvyng
Luf es lyfe þat lastes ay, þar it in Criste es fest.
Our renderingLove is life that lasts forever, when it is fixed in Christ.
What it is
Richard Rolle (c. 1290–1349), the Yorkshire hermit whose works survive in more English manuscript copies than any other medieval writer — over 650 manuscripts — composed The Form of Living in his final months as a personal spiritual guide addressed by name to Margaret Kirkby, a nun who had left Hampole to become an anchoress in East Layton, Richmondshire. It survives in thirty manuscripts, and its patronage link to the landed nobility is directly documented: Margaret Kirkby's patrons as an anchoress were the Fitzhugh family of Richmondshire, a prominent Yorkshire noble family. In twelve chapters Rolle moves from the basics of Christian living through meditation and prayer to the three signature mystical gifts he describes in the Incendium Amoris — calor (heat), dulcor (sweetness), and canor (heavenly music) — making this the most accessible vernacular entry-point to his experiential mysticism. As the first vernacular guide for recluses in England since the Ancrene Wisse, it was widely read by devout laywomen and noblewomen seeking formation in the contemplative life throughout the late 14th and 15th centuries.
Why it still matters
A Christian today can read The Form of Living as a progressive twelve-step guide to deepening prayer — beginning with moral formation and advancing through affective devotion — and Rolle's vivid descriptions of warmth, sweetness, and inner song provide concrete language for consolations in contemplative prayer.
Kept alongside
Orationes sive Meditationes (Prayers and Meditations)
Orationes sive Meditationes
A collection of nineteen prayers and three meditations composed by Anselm of Bec between c. 1070 and 1085, representing the founding documents of western affective devotion. Anselm sent a personalised copy to Princess Adelaide of Normandy (daughter of William the Conqueror) in 1081 in response to her request for psalms, adding long intimate prayers addressed to individual saints. He later sent a 'Matildan recension' of twenty-two prayers and meditations to Countess Matilda of Tuscany during his second exile (1103–6), composing at least one prayer (Oratio 1) expressly for her use. The prayers are cast in a new mode of intense psychological self-examination, designed to arouse compunction, love, and fear of God in private reading.
De diligendo Deo (On Loving God)
De diligendo Deo
Bernard of Clairvaux's treatise setting out four ascending degrees of love for God, dedicated to Haimeric, Cardinal Chancellor of the Roman Church and among the most powerful ecclesiastical figures of the 12th century. Composed between approximately 1132 and 1135, it was the first work in the Latin West to make the love of God its single explicit subject. Bernard's connections to the French royal court were direct — Louis VII, Queen Eleanor, and the princes of France prostrated themselves before him during Crusade preaching — and the text's elegant theological structure made it a model for lay noble reading. An anonymous French vernacular translation existed already by the late 12th century.
Sermones super Cantica Canticorum (Sermons on the Song of Songs)
Sermones super Cantica Canticorum
Bernard's eighty-six sermons on the Song of Songs, begun c. 1135 and left unfinished at his death in 1153, represent the summit of 12th-century mystical exegesis and became one of the most widely copied Latin texts of the medieval period. While addressed formally to his monks at Clairvaux, the sermons were circulated and read far beyond the cloister: Bernard was the central spiritual authority for royal and aristocratic Europe alike, and the courts of France, England, and the Empire received and debated his writings. The sermons teach the soul's ascent to union with the divine Bridegroom through humility, self-knowledge, and love, using the language of bridal mysticism in a way that resonated as much with court culture as with monastic life.