The Art of Prayer: An Orthodox Anthology
Добротолюбие (selections from letters of St. Theophan the Recluse and others)
A verified public-domain excerpt for this text is still being set. The folio is catalogued and linked below; an original Sub Rosa rendering will follow.
What it is
Theophan the Recluse (1815–1894), who served as rector of the St. Petersburg Theological Academy before becoming a bishop and finally a hermit at Vysha Monastery, wrote a vast correspondence of spiritual direction addressed chiefly to educated laypeople; Igumen Chariton of Valamo compiled selections from these letters, together with passages from Ignatius Brianchaninov, John Cassian, Ephrem the Syrian, and others, into the anthology published in Russian in 1936. The English translation by Kadloubovsky and Palmer, edited and introduced by Timothy Ware (Faber and Faber, 1966), made the anthology the standard English-language introduction to the prayer of the heart. The text covers oral prayer, the transition to unceasing interior prayer, and protection against spiritual delusion, with a consistently practical and psychologically sober tone that distinguishes it from the more contemplative chapters of the Philokalia itself.
Why it still matters
The Art of Prayer is the most practically oriented guide to hesychast prayer available in English and is specifically calibrated for educated laity living outside a monastery; it is the natural first step before entering the Philokalia proper.
Kept alongside
On the Acquisition of the Holy Spirit: Conversation with Motovilov
О цели христианской жизни: Беседа с Мотовиловым
Seraphim of Sarov (c. 1754–1833) gave this oral teaching to the landowner Nicholas Motovilov in November 1831, declaring that the true goal of Christian life is the acquisition of the Holy Spirit of God, and demonstrating his teaching in a transfiguration experience in which both men consciously perceived the uncreated divine light in the hesychast tradition of Mount Tabor. The manuscript in Motovilov's hand lay forgotten in an attic for nearly seventy years until the writer Sergei Nilus discovered it in 1902 and published it in Moscow News in 1903. That same year Tsar Nicholas II personally organized and attended the solemn canonization of Seraphim at Sarov, carrying the saint's coffin together with the grand dukes, in an event that became one of the defining spiritual moments of the late Romanov period. The conversation is the single most quoted witness to hesychast experience in modern Orthodox literature.
The Philokalia (Greek: Φιλοκαλία)
Φιλοκαλία τῶν ἱερῶν νηπτικῶν
The Philokalia is the foundational anthology of Eastern Orthodox hesychast spirituality, compiled from patristic and monastic writings spanning the 4th to 15th centuries and first published in Venice in 1782 by two Mount Athos monks, St. Nikodemos the Hagiorite and St. Makarios of Corinth. It draws on five codices held at Vatopedi Monastery on Mount Athos, gathering thirty-six authors on inner prayer, watchfulness (nepsis), and the theology of deification (theosis). The Slavonic translation (Dobrotolubiye, 1793) by Paisius Velichkovsky was published at the Synodal Press in Moscow under Metropolitan Gavriil Petrov and became instrumental in the Russian hesychast revival centred on Optina Monastery. Its compilers described it as intended to equip any serious Christian with the full inheritance of the Church's inner life, not merely monastics.
The Way of a Pilgrim (Otkrovennye Rasskazy Strannika)
Откровенные рассказы странника духовному своему отцу
An anonymous 19th-century Russian spiritual classic narrating an unnamed wandering pilgrim's journey to learn to 'pray without ceasing' through the Jesus Prayer, guided by a starets and the Philokalia. First published in Kazan in 1884, it spread rapidly across educated Russian society during the final Romanov decades and was among the most widely circulated Orthodox devotional books of the imperial period. No personal Romanov copy is documented in any known inventory, but its extraordinary popularity makes it fully representative of the devotional climate in which Nicholas II and Alexandra were formed. Confidence is calibrated as era-typical: the text was ubiquitous in the world the Romanovs inhabited but no documented personal connection exists.