Queen Mary Psalter (BL Royal MS 2 B VII)
Psalterium Reginae Mariae
Dominus regit me et nihil mihi deerit; in loco pascuae ibi me collocavit.
Our renderingThe Lord governs me and I shall want for nothing; in a place of pasture he has set me down.
What it is
The Queen Mary Psalter (British Library Royal MS 2 B.VII) is a masterpiece of English Gothic illumination, created around 1310–1320 by a single exceptional artist known as the Queen Mary Master, probably in London. Attribution to Isabella of France, queen of Edward II, remains probable but contested; the contents indicate it was made for a woman, and its stylistic relationship to the confirmed Isabella Psalter (Munich, BSB Cod. gall. 16) strengthens the case. It opens with an Old Testament narrative cycle in tinted drawings, followed by the full Psalms with images of the life of Christ, Penitential Psalms, canticles, and litany. The manuscript is one of the most extensive programmes of Old Testament illustration to survive from medieval England.
Why it still matters
The dual structure of this psalter — Old Testament narrative followed immediately by the corresponding psalms — models a reading discipline of pairing Hebrew story with its prayer response, a pattern any Christian can adopt by reading a passage of Old Testament narrative and then praying the psalm that follows from it.
Kept alongside
Isabella Psalter (Bayerische Staatsbibliothek Cod. gall. 16)
Psalterium Isabellae Reginae Angliae
The Isabella Psalter (Munich, Bayerische Staatsbibliothek, Cod. gall. 16) is a bilingual Latin and Anglo-Norman French psalter produced around 1303–1308, widely accepted as a gift to Isabella of France on her betrothal or marriage to Edward II of England. Made in a Yorkshire workshop related to the Tickhill Psalter, it contains 238 decorated initials and marginalia illustrating the Old Testament on the Latin pages, and bestiary illustrations on the Anglo-Norman pages; Isabella herself is depicted within the manuscript. As both a royal wife and the mother of the future Edward III, Isabella prayed from this book during the turbulent years of Edward II's reign and her own regency of 1327–1330, investing the psalms with an intensity of personal use that the wear patterns of such manuscripts often confirm.
Psalterium (Psalter for royal and court devotion)
Psalterium
The Latin Psalter — the 150 biblical Psalms with liturgical additions — was the primary daily prayer book of every medieval royal household chapel, used for the Divine Office and private devotion. Hungarian royal scriptorium production is attested under Béla III (1172–1196), who patronized manuscript production at Esztergom, and the Pray Codex's sacramentary component presupposes the Psalter's daily use. While no specific Arpad or Anjou royal psalter survives with a named owner, the Anjou court's documented Bolognese manuscript commissions make royal psalter-hours all but certain, and the psalter was the universal foundation of medieval Christian prayer life without exception. Weekly recitation of all 150 Psalms was the structural backbone of the Divine Office as practiced in every Hungarian royal chapel of this era.
Gospel Sequences (Four Evangelical Readings)
Passiones / Sequentiae Evangeliorum
The Gospel Sequences are four short selected readings — John 1:1–14 (the Prologue), Luke 1:26–38 (the Annunciation), Matthew 2:1–12 (the Magi), and Mark 16:14–20 (the Great Commission) — which open virtually every Book of Hours as the first devotional text after the calendar. They were read in this deliberate theological order: first the eternal mystery of the Incarnation, then the historical moment of the Annunciation, then the Nativity proclaimed to the nations, then the mission of the Church to the world. The sequence gave every prayer session a Christological foundation before the Hours of the Virgin and the Penitential Psalms commenced. For noble children learning Latin from the Book of Hours, these four passages were among the first complete scriptural texts committed to memory.