Libro Segundo — Capítulo 23
The Security of Hidden Contemplation
The soul finds safety from demonic snares by entering into the dark, secret, and interior path of infused contemplation.
The fourth verse is explained. It tells of the wonderful hiding place in which the soul is set in this night, and how, although the devil has access into other very high ones, he has none into this.1 1. "In concealment" means the same as hidden or covered over.2 So when the soul says here that it went out in darkness and in concealment, it is meant to clarify the great security it already mentioned in the first verse of this song—a security it possesses through this dark contemplation on the path of the union of love with God. Therefore, for the soul to say "in darkness and in concealment" is to say that, because it was traveling in darkness in the way already described, it was moving covered and hidden from the devil and his tricks and snares. 2. The reason the soul, in the darkness of this contemplation, remains free and hidden from the devil's snares is that the infused contemplation it experiences here is poured into the soul passively and secretly, beyond the reach of the senses and the interior and exterior faculties of the sensory part.3 And so, the soul remains hidden and free, not only from the hindrance these faculties can cause through their natural weakness, but also from the devil, who—unless he uses these sensory faculties—cannot reach or know what is in the soul or what is happening within it. It follows that the more spiritual, interior, and remote from the senses this communication is, the less the devil can understand it. 3. It matters a great deal for the soul's safety that its interior dealings with God remain such that the senses of the lower part stay in the dark and empty of them, never reaching them. First, this allows room for spiritual communication to be more abundant, as the weakness of the sensory part won't hold back the freedom of the spirit. Second, as we say, the soul travels more safely when the devil cannot reach so deep. From this we can understand, for this purpose, that saying of our Savior (Mt.4 “Do not let your left hand know what your right hand is doing.” It is as if he said: Do not let the left hand know what happens in the right-hand part—the higher, spiritual part of the soul. In other words, keep it such that the lower portion of your soul, the sensory part, does not reach it; let it remain a secret only between the spirit and God.5
The Enemy's Futile Disturbance
Though the devil attempts to stir the sensory part to trouble the spirit, the soul often finds deeper peace and fortitude in the midst of these trials.
4. It's true that often, when these very interior and secret spiritual communications are present in the soul and pass through it, although the devil cannot grasp which they are or how they are, still, by the great pause and silence that some of them cause in the senses and faculties of the sensory part, he is led from this to see that they are there and that the soul is receiving some good.6 And then, seeing that he can't reach in to oppose them at the depths of the soul, he does everything he can to stir up and disturb the sensory part—where he does have access—sometimes with pains, other times with horrors and fears. He intends by this to unsettle and trouble the superior, spiritual part of the soul regarding the good it is currently receiving and enjoying. But many times, when the communication of such contemplation has its pure impact on the spirit and bears force upon it, the devil's diligence does him no good in trying to unsettle it; rather, the soul then receives new benefit and a greater and more secure peace. For when it senses the disturbing presence of the enemy—it’s a marvelous thing! —that, without knowing what that is or how it is, and without doing anything on her own part, she goes deeper into the interior depths, sensing very well that she is set in a certain refuge where she finds herself farther from the enemy and hidden, and there her peace and joy increase—the peace and joy the devil was trying to take from her. And then all that fear falls on the outside, while she feels it clearly and rejoices to see herself so securely enjoying that quiet peace and savor of the hidden Bridegroom, which neither world nor devil can give or take away—the soul there sensing the truth of what the Bride says to this effect in the Song of Songs (3:7–8), namely: Behold, sixty strong men surround Solomon's bed, etc.7 —because of the terrors of the night. And she feels this fortitude and peace, even though she often feels her flesh and bones tormented outwardly. 5. At other times, when the spiritual communication does not reach much into the spirit but takes part in the sense, the devil more easily manages to disturb the spirit and agitate it through the sense with these horrors. And then the torment and pain he causes in the spirit is great, and sometimes more than can be put into words; because, as it goes bare from spirit to spirit, the horror that the evil one causes in the good—I mean in the spirit of the soul—is intolerable when his agitation reaches it.8 The Bride in the Song of Songs (6:10–11) makes this clear as well, describing the same thing happening to her when she wanted to enter into interior recollection to enjoy these goods: "I went down to the nut garden to see the apples of the valleys and whether the vine had blossomed; I did not know; my soul was troubled by the chariots—that is, by the carts and the din of Aminadab," who is the devil.
Divine Permission and Spiritual Purgation
God permits the adversary to test the soul through spiritual horror to refine and prepare it for greater divine favors.
6. Other times it happens—and this is when it comes through the good angel—that the devil sometimes catches sight of some favor God means to grant the soul. Because when those favors come through this means of the good angel, God ordinarily allows the adversary to understand them: first, so that he may do against them whatever he can, within the measure of justice, and so the devil cannot plead his rights by saying they give him no chance to conquer the soul, as he did concerning Job (1:9–11; 2:4–8)—which is just what would happen if God did not leave room for a certain parity between the two warriors, namely the good angel and the bad, concerning the soul, and so that the victory of either may be more highly prized, and the soul that is victorious and faithful in temptation more richly rewarded.9 7. We should note here that this is why, to the same extent and in the same way God leads the soul and works with her, He allows the devil to work with her as well. If she receives true visions through a good angel—which is how they usually come, even when Christ appears, since He almost never appears in His own person—God also permits the evil angel to present false visions of the same kind. Because they look so convincing, a soul that isn't careful can easily be deceived, as many have been.1011 There is an example of this in Exodus (7:11–12; 8:7), where it says that all the true signs Moses performed, Pharaoh’s magicians also performed as appearances: if he brought forth frogs, they did too; if he turned the water into blood, they did the same.1213 8. And he does not only imitate in this kind of bodily vision; he does so also in spiritual communications when they come through the angel, catching sight of them, as we say — because, as Job says (41:25), Omne sublime videt (“He sees every lofty thing”), he imitates and meddles. However, since these lack form and figure—because it's the nature of spirit not to have them—he can't imitate or shape them the way he does those presented under some image or figure.14 So, to attack the soul, he presents his spiritual terror in the same way the soul is visited, aiming to attack and destroy what is spiritual with what is spiritual.15 When this happens, just as the good angel is about to share spiritual contemplation with the soul, the soul can’t settle quickly enough into the hidden, sheltered depths of contemplation to avoid the devil noticing it and catching sight of it with a sense of spiritual horror and turmoil that is sometimes quite painful for the soul.16 Then sometimes the soul can shake it off quickly, so that that horror from the evil spirit has no chance to make an impression on it, and it gathers itself within, helped in this by the powerful spiritual favor the good angel then grants it.17 9. At other times the devil prevails, and disturbance and horror seize the soul—which is a greater pain to the soul than any torment of this life could be; because, since this horrifying communication passes from spirit to spirit, somewhat bare and clearly free of everything that is body, it is painful beyond every sense; and this lasts for a while in the spirit—not long, because the spirit would leave the flesh under the violent communication of the other spirit; afterward the memory remains, and that is enough to cause great pain.18 10. Everything we have said so far happens in the soul passively, without her playing any part in causing it or stopping it. But it is important to understand that when the good angel allows the devil the advantage of reaching the soul with this spiritual horror, he does so to purify and prepare her, through this spiritual vigil, for some great feast and spiritual favor that He—who never mortifies except to give life, and never humbles except to exalt—wants to grant her (1 Kgs.✦19 2:6–7).✦ This happens shortly afterward: in proportion to the dark and horrible purgation she has suffered, the soul enjoys wonderful and delightful spiritual contemplation, sometimes so exalted that there is no language for it. But the preceding horror of the evil spirit greatly refined her spirit so she could receive this good; for these spiritual visions belong more to the next life than to this one, and when one is seen, it prepares for another.20
The Substantial Touch of Union
In the highest degree of prayer, the soul experiences substantial touches of God that are entirely inaccessible to the enemy, leading to the rest of the spirit.
11. What I've said applies when God visits the soul through a good angel. In that visit, as mentioned, the soul isn't so completely in darkness or under cover that the enemy can't reach her at all.21 But when God Himself visits her, that verse is truly fulfilled, because she receives God's spiritual favors completely in darkness, hidden from the enemy.22 The reason is that His Majesty dwells substantially in the soul, where neither angel nor demon can enter to understand what is happening; therefore, they cannot know the intimate and secret communications that pass there between her and God. Because the Lord works these Himself, they are wholly divine and sovereign, for they are all substantial touches of divine union between the soul and God. In one of them—the highest degree of prayer there is—the soul receives a greater good than in all the rest.23 12. These are the touches she began asking of Him in the Song of Songs (1:1), saying: Osculetur me osculo oris sui—'Let him kiss me with the kiss of his mouth.' Because this happens so directly with God, and because the soul longs so eagerly to reach it, she values and desires a single touch of this Divinity more than all the other favors God grants her.24 For this reason, after He had done many things for her in that same Song of Songs—which she recounts there—and she still wasn't satisfied, she says, asking for these divine touches: 'Who will give you to me, my brother, that I might find you alone outside, nursing at my mother’s breasts, so that with the mouth of my soul I might kiss you, and so no one would despise me or dare approach me?' (8:1). By this, he makes it clear that if the communication God makes to her were for herself alone—as we keep saying, outside and apart from all creatures—then the devil wouldn't dare approach her. 'Alone and outside, nursing' means drying up and extinguishing the appetites and affections of the sensory part. When the soul already has this freedom of spirit, and the sensory part cannot hinder it, nor the devil use it to interfere, the soul enjoys these goods in savor and intimate peace. The devil cannot reach this, nor will he be able to understand these divine touches in the substance of the soul, within the loving substance of God.✦2526 13. No one reaches this good except through intimate purification and nakedness and spiritual concealment from everything that is creature.27 This happens in darkness, as we have discussed at length and as we note regarding the verse “in concealment and hidden.” In that hiddenness, as we just said, the soul is gradually confirmed in union with God through love.28 And that is why she sings it in that verse, saying: in darkness and in concealment. 14. When these favors are granted to the soul in hiding—which, as we have said, happens only in the spirit—the soul often finds itself, without knowing how, so detached and removed in its higher, spiritual part from its lower, sensory part that it recognizes two parts within itself so distinct that one seems to have nothing to do with the other, and the soul feels as though it is far removed and set apart from the latter.29 In a sense, this is true; because the operation—which is entirely spiritual at that moment—does not communicate with the sensory part. In this way, the soul is gradually made entirely spiritual; in these hiding places of unitive contemplation, its passions and spiritual appetites are, in time, largely stripped away.30 And so, speaking of the superior part of the soul, she says this final verse: my house is now at rest.
Read the original Latin
Declárase el cuarto verso. Dice el admirable escondrijo en que es puesta el alma en esta noche, y cómo, aunque el demonio tiene entrada en otros muy altos no en éste
1. En celada es tanto como decir: escondido o encubierto. Y así, lo que aquí dice el alma, conviene a saber, que a oscuras y en celada salió, es más cumplidamente dar entender la gran seguridad que ha dicho en el primer verso de esta canción que lleva por medio de esta oscura contemplación en el camino de la unión de amor de Dios. Decir, pues, el alma a oscuras y en celada, es decir que, por cuanto iba a oscuras de la manera dicha, iba encubierta y escondida del demonio y de sus cautelas y asechanzas.
2. La causa por que el alma en la oscuridad de esta contemplación va libre y escondida de las asechanzas del demonio, es porque la contemplación infusa, que aquí lleva, se infunde pasiva y secretamente en el alma a excusas de los sentidos y potencias interiores y exteriores de la parte sensitiva. Y de aquí es que no sólo del impedimento, que con su natural flaqueza le pueden ser estas potencias, va escondida y libre, sino también del demonio, el cual, si no es por medio de estas potencias de la parte sensitiva, no puede alcanzar ni conocer lo que hay en el alma, ni lo que en ella pasa. De donde, cuanto la comunicación es más espiritual, interior y remota de los sentidos, tanto menos el demonio alcanza a entenderla.
3. Y así, es mucho lo que importa para la seguridad del alma que el trato interior con Dios sea de manera que sus mismos sentidos de la parte inferior queden a oscuras y ayunos de ello y no lo alcancen: lo uno, porque haya lugar que la comunicación espiritual sea más abundante, no impidiendo la flaqueza de la parte sensitiva la libertad del espíritu; lo otro, porque, como decimos, va más segura, no alcanzando el demonio tan adentro. De donde podemos entender a este propósito aquella autoridad de nuestro Salvador (Mt. 6, 3), hablando espiritualmente, conviene a saber: No sepa tu siniestra lo que hace tu diestra, que es como si dijera: Lo que pasa en la parte diestra, que es la superior y espiritual del alma, no lo sepa (la siniestra), esto es, sea de manera que la porción inferior de tu alma, que es la parte sensitiva, no lo alcance; sea sólo secreto entre el espíritu y Dios.
4. Bien es verdad que muchas veces, cuando hay en el alma y pasan estas comunicaciones espirituales muy interiores y secretas, aunque el demonio no alcance cuáles y cómo sean, por la gran pausa y silencio que causan algunas de ellas en los sentidos y potencias de la parte sensitiva, por aquí hecha de ver que las hay y que recibe el alma algún bien. Y entonces, como ve que no puede alcanzar a contradecirlas al fondo del alma, hace cuanto puede por alborotar y turbar la parte sensitiva, que es donde alcanza, ahora con dolores, ahora con horrores y miedos, con intento de desquietar y turbar por este medio a la parte superior y espiritual del alma, acerca de aquel bien que entonces recibe y goza.
Pero muchas veces, cuando la comunicación de la tal contemplación tiene su puro embestimiento en el espíritu y hace fuerza en él, no le aprovecha al demonio su diligencia para desquietarle, antes el alma entonces recibe nuevo provecho y mayor y más segura paz. Porque, en sintiendo la turbadora presencia del enemigo, ¡cosa admirable! , que, sin saber cómo es aquello y sin ella hacer nada de su parte, se entra ella más adentro del fondo interior, sintiendo ella muy bien que se pone en cierto refugio, donde se ve estar más alejada del enemigo y escondida, y allí aumentársele la paz y el gozo que el demonio le pretendía quitar. Y entonces todo aquel temor le cae por defuera, sintiéndolo ella claramente y holgándose de verse tan a lo seguro gozar de aquella quieta paz y sabor del Esposo escondido, que ni mundo ni demonio puede dar ni quitar, sintiendo allí el alma la verdad de lo que la Esposa a este propósito dice en los Cantares (3, 7-8), es a saber: Mirad que al lecho de Salomón cercan sesenta fuertes, etc. , por los temores de la noche. Y esta fortaleza y paz siente, aunque muchas veces siente atormentar la carne y los huesos por defuera.
5. Otras veces, cuando la comunicación espiritual no comunica mucho en el espíritu, sino que participa en el sentido, con más facilidad alcanza el demonio a turbar el espíritu y alborotarle por medio del sentido con estos horrores. Y entonces es grande el tormento y pena que causa en el espíritu, y algunas veces más de lo que se puede decir; porque, como va de espíritu a espíritu desnudamente, es intolerable el horror que causa el malo en el bueno, digo en el del ánima, cuando le alcanza su alboroto. Lo cual también da a entender la Esposa en los Cantares (6, 10-11), cuando dice haberle a ella acaecido así al tiempo que quería descender al interior recogimiento a gozar de estos bienes, diciendo: Descendí al huerto de las nueces para ver las manzanas de los valles y si había florecido la viña; no supe; conturbóme mi alma por las cuadrigas, esto es, por los carros y estruendos de Aminadab, que es el demonio.
6. Otras veces acaece, y esto cuando es por medio del ángel bueno, que algunas veces el demonio echa de ver alguna merced que Dios quiere hacer al alma. Porque las que son por este medio del ángel bueno, ordinariamente permite Dios que las entienda el adversario: lo uno, para que haga contra ellas lo que pudiere según la proporción de la justicia, y así no pueda alegar el demonio de su derecho, diciendo que no le dan lugar para conquistar al alma, como hizo de Job (1, 9-11; 2, 4-8); lo cual sería si no dejase Dios lugar a que hubiese cierta paridad en los dos guerreros, conviene a saber, el ángel bueno y el malo, acerca del alma y así la victoria de cualquiera sea más estimada, y el alma victoriosa y fiel en la tentación sea más premiada.
7. Donde nos conviene notar que ésta es la causa por que, a la misma medida y modo que va Dios llevando al alma y habiéndose con ella, da licencia al demonio para que de esa misma manera se haya él con ella: que, si tiene visiones verdaderas por medio del ángel bueno (que ordinariamente son por este medio, aunque se muestre Cristo, porque él en su misma persona casi nunca parece), también da Dios licencia al ángel malo para que en aquel mismo género se las pueda representar falsas, de manera que, según son de aparentes, el alma que no es cauta fácilmente puede ser engañada, como muchas de esta manera lo han sido. De lo cual hay figura en el Exodo (7, 11-12; 8, 7), donde se dice que, todas las señales que hacía Moisés verdaderas, hacían también los mágicos de Faraón aparentes; que, si él sacaba ranas, ellos también las sacaban; si él volvía el agua en sangre, ellos también la volvían.
8. Y no sólo en este género de visiones corporales imita, sino también en las espirituales comunicaciones, cuando son por medio del ángel, alcanzándolas a ver, como decimos, porque, como dice Job (41, 25): Omne sublime videt, imita y se entremete. Aunque en éstas, como son sin forma y figura (porque de razón del espíritu es no tenerla), no las puede él imitar y formar como las otras que debajo de alguna especie o figura se representan. Y así, para impugnarla, al mismo modo que el alma es visitada, represéntala su temor espiritual para impugnar y destruir espiritual con espiritual.
Cuando esto acaece así, al tiempo que el ángel bueno va a comunicar al alma la espiritual contemplación, no puede el alma ponerse tan presto en lo escondido y celada de la contemplación que no sea notada del demonio y la alcance de vista con algún horror y turbación espiritual, a veces harto penosa para el alma. Entonces algunas veces se puede el alma despedir presto, sin que haya lugar de hacer en ella impresión en el dicho horror del espíritu malo, y se recoge dentro de sí, favorecida para esto de la eficaz merced espiritual que el ángel bueno entonces le hace.
9. Otras veces prevalece el demonio y comprehende al alma la turbación y el horror, lo cual es al alma de mayor pena que ningún tormento de esta vida le podría ser; porque, como esta horrenda comunicación va de espíritu a espíritu, algo desnuda y claramente de todo lo que es cuerpo, es penosa sobre todo sentido; y dura esto algún tanto en el espíritu, no mucho, porque saldría el espíritu de las carnes con la vehemente comunicación del otro espíritu; después queda la memoria que basta para dar gran pena.
10. Todo esto que habemos dicho pasa en el alma pasivamente, sin ser ella parte en hacer y deshacer acerca de ello. Pero es aquí de saber que, cuando el ángel bueno permite al demonio esta ventaja de alcanzar al alma con este espiritual horror, hácelo para purificarla y disponerla con esta vigilia espiritual para alguna gran fiesta y merced espiritual que le quiere hacer el que nunca mortifica sino para dar vida, ni humilla sino para ensalzar (1 Re. 2, 6-7 ). Lo cual acaece de allí a poco, que el alma, conforme a la purgación tenebrosa y horrible que padeció, goza de admirable y sabrosa contemplación espiritual, a veces tan subida, que no hay lenguaje para ella; pero sutilizóla mucho el espíritu para poder recibir este bien el antecedente horror del espíritu malo; porque estas visiones espirituales más son de la otra vida que de ésta, y, cuando se ve una, dispone para otra.
11. Lo dicho se entiende acerca de cuando visita Dios al alma por medio del ángel bueno, en lo cual no va ella, según se ha dicho, totalmente tan a oscuras y en celada, que no le alcance algo el enemigo. Pero cuando Dios por sí mismo la visita, entonces se verifica bien el dicho verso, porque totalmente a oscuras y en celada del enemigo recibe las mercedes espirituales de Dios. La causa es porque como Su Majestad mora sustancialmente en el alma, donde ni ángel ni demonio puede llegar a entender lo que pasa, no puede conocer las íntimas y secretas comunicaciones que entre ella y Dios allí pasan. Estas, por cuanto las hace el Señor por sí mismo, totalmente son divinas y soberanas, porque todos son toques sustanciales de divina unión entre el alma y Dios, en uno de los cuales, por ser éste el más alto grado de oración que hay, recibe el alma mayor bien que en todo el resto.
12. Porque éstos son los toques que ella le entró pidiendo en los Cantares (1, 1), diciendo: Osculetur me osculo oris sui, Que por ser cosa que tan a lo justo pasa con Dios, donde el alma con tantas ansias codicia llegar, estima y codicia un toque de esta Divinidad más que todas las demás mercedes que Dios le hace. Por lo cual, después que en los dichos Cantares le había hecho muchas, que ella allí ha contado, no hallándose satisfecha. dice, pidiendo estos toques divinos: ¿Quién te me dará hermano mío, que te hallase yo sola afuera mamando de los pechos de mi madre, porque con la boca de mi alma te besase, y así no me despreciase ni se me atreviese ninguno? (8, 1). Dando a entender por esto que, siendo la comunicación que Dios le hiciese para sí sólo, como vamos diciendo, afuera y a excusa de todas las criaturas, que esto quiere decir “solo y afuera mamando”, esto es, enjugando y apagando los pechos de los apetitos y afecciones de la parte sensitiva (lo cual es cuando ya con libertad de espíritu, sin que la parte sensitiva alcance a impedirlo, ni el demonio por medio de ella a contradecirlo, goza el alma en sabor y paz íntima estos bienes) que entonces no se le atrevería el demonio, porque no lo alcanzaría, ni podrá llegar a entender estos divinos toques en la sustancia del alma en la amorosa sustancia de Dios.
13. A este bien ninguno llega si no es por íntima purgación y desnudez y escondrijo espiritual de todo lo que es criatura. Lo cual a oscuras, como largamente habemos dicho atrás y decimos acerca de este verso en celada y escondido; en el cual escondido, como ahora habemos dicho, se va confirmando el alma en la unión con Dios por amor. Y, por eso lo canta ella en el dicho verso, diciendo: a oscuras y en celada.
14. Cuando acaece que aquellas mercedes se le hacen al alma en celada, que es sólo, como habemos dicho, en espíritu, suele en algunas de ellas el alma verse sin saber cómo es aquello, tan apartada y alejada según la parte espiritual y superior de la porción inferior y sensitiva, que conoce en sí dos partes tan distintas entre sí, que le parece no tiene que ver la una con la otra, pareciéndole que está muy remota y apartada de la una. Y la verdad, en cierta manera así lo está; porque según la operación, que entonces es toda espiritual, no comunica en la parte sensitiva. De esta suerte se va haciendo el alma toda espiritual; en estos escondrijos de contemplación unitiva se le acaban por sus términos de quitar las pasiones y apetitos espirituales en mucho grado. Y así, hablando de la porción superior del alma, dice luego este último verso:
Estando ya mi casa sosegada.
Scripture echoes
- ↩1Sam.2.6-1Sam.2.7;1Kgs.2.6-1Kgs.2.7 — The LORD puts to death and brings to life; he brings down to Sheol and raises up. 1Sam.2.7 — The LORD makes poor and makes rich; he brings low, and also lifts up. 1Kgs.2.6 — And do according to your wisdom, and do not let his gray head go down to Sheol in peace. 1Kgs.2.7 — But show kindness to the sons of Barzillai the Gileadite, and let them be among those who eat at your table. For they came to meet me when I fled from the presence of Absalom your brother.
- ↩1Sam.2.6-1Sam.2.7;1Kgs.2.6-1Kgs.2.7 — The LORD puts to death and brings to life; he brings down to Sheol and raises up. 1Sam.2.7 — The LORD makes poor and makes rich; he brings low, and also lifts up. 1Kgs.2.6 — And do according to your wisdom, and do not let his gray head go down to Sheol in peace. 1Kgs.2.7 — But show kindness to the sons of Barzillai the Gileadite, and let them be among those who eat at your table. For they came to meet me when I fled from the presence of Absalom your brother.
- ↩Song.8.1 — Oh, that you were like a brother to me, one who nursed at my mother's breasts! If I found you outside, I would kiss you, and no one would despise me.
Notes
- 1 ↩Spanish escondrijo is a secret recess or hideout; rendered as "hiding place" to keep the sense of shelter under cover that the next section develops with en celada (hidden/covered).
- 2 ↩Spanish en celada can mean ambush, cover, or concealment; the author immediately glosses it as escondido o encubierto ("hidden or covered over"), so the rendering follows that definition rather than a military sense of "ambush."
- 3 ↩Spanish «a excusas de» is an older idiom meaning roughly «without the knowledge of / out of reach of / behind the back of»; rendered here as «out of reach of» to keep the sense that the senses and sensory faculties do not share in the infusion.
- 4 ↩Spanish 'autoridad' here means a cited scriptural text/saying (auctoritas), not civil or hierarchical authority.
- 5 ↩John of the Cross allegorizes Mt 6:3: 'right hand' = superior/spiritual part of the soul; 'left hand' = inferior/sensory part. Parenthetical '(la siniestra)' is retained as the source's gloss on the subject of 'no lo sepa'.
- 6 ↩Source 'por aquí hecha de ver' is read as the idiom echar de ver ('to notice / become aware'), with the devil as subject; 'hecha' may be a spelling/variant of 'echa'.
- 7 ↩por defuera: the fear is felt as external (on the outside of the soul's secure interior), not as if it simply vanishes; rendered to preserve the outer/inner contrast continued in s6.
- 8 ↩"el malo en el bueno, digo en el del ánima": the evil spirit acting on the soul's good spirit; "desnudamente" marks unmediated spirit-to-spirit contact.
- 9 ↩Spanish «lo uno» introduces a first reason without an explicit «lo otro»; the following clauses continue purpose and consequence rather than a numbered second point. Rendered as “first” and kept the linked purpose chain intact.
- 10 ↩Spanish «habiéndose con ella» / «se haya él con ella» is rendered as «dealing with her» (how God/the devil relate to and treat the soul), not mere companionship.
- 11 ↩«según son de aparentes» is rendered as «given how convincing they look» (apparent likeness that can deceive); the contrast is with «visiones verdaderas» / true visions.
- 12 ↩«figura» is rendered as biblical «figure» (type/prefiguration), not mere illustration.
- 13 ↩«aparentes» parallel to s2: magicians’ signs as deceptive appearances vs. Moses’ true signs.
- 14 ↩“especie o figura” is scholastic: sensory species/image under which a vision is represented, not biological “species.”
- 15 ↩“su temor espiritual” rendered as the devil’s spiritual terror presented to the soul (cf. following section’s “horror y turbación espiritual”); not the soul’s own holy fear of God.
- 16 ↩Celada here means the concealed/sheltered retreat of contemplation (from celar, to hide), not a military ambush; rendered as 'hidden and sheltered depth.'
- 17 ↩Merced in San Juan often means a granted spiritual favor or grace; rendered as 'spiritual favor' rather than generic 'mercy' to keep the sense of an effective gift given through the good angel.
- 18 ↩Old Spanish 'comprehende' (modern 'comprende') is taken as 'seize/take hold of': disturbance and horror overwhelm the soul, not that the soul grasps them.
- 19 ↩Spanish '1 Re.' follows older biblical numbering in which 1 Samuel is often labeled 1 Kings/1 Reyes; the cited sense matches 1 Sam 2:6–7 (Hannah’s song). Final scripture resolution belongs to a later stage.
- 20 ↩'sutilizóla mucho el espíritu ... el antecedente horror del espíritu malo' is read with the antecedent demonic horror as subject and the soul’s spirit as object (classic inverted Spanish order): the prior horror refined her spirit so she could receive the good.
- 21 ↩en celada: concealment / under cover / hidden from sight; technical phrase paired with a oscuras from the Dark Night poem.
- 22 ↩el dicho verso points back to the poem line about going 'a oscuras y en celada,' not to a biblical verse in this sentence.
- 23 ↩toques sustanciales kept as 'substantial touches,' San Juan's technical term for immediate, substance-level contacts of union, not sensory impressions.
- 24 ↩“tan a lo justo pasa con Dios” rendered as “takes place so immediately with God” (exact/direct substantial contact); could also be “so exactly/rightly with God.”
- 25 ↩“a excusa de todas las criaturas” rendered as “apart from all creatures” (out of their way / free from them).
- 26 ↩“enjugando y apagando los pechos...” keeps San Juan’s allegory: drying up and extinguishing the breasts of sensory appetites and affections, not a paraphrase into generic detachment alone.
- 27 ↩desnudez: spiritual nakedness — the soul stripped of creaturely supports and forms; a technical Sanjuanist term, kept as “nakedness.” escondrijo espiritual: the soul’s spiritual hiding place / concealment away from all that is creature.
- 28 ↩en celada: “in concealment” (also “in ambush/hiding”); kept with the poem’s technical sense of a secret, covered place where the divine communication is given. a oscuras: “in darkness,” not mere ignorance but the dark path of this night.
- 29 ↩celada: rendered “in hiding,” matching the poem’s sense of secret concealment rather than military ambush.
- 30 ↩por sus términos: rendered “in due course,” as the process reaching its proper end; could also be heard as “by their own means/ends.”
Dark Night of the Soul companion
A daily portion of stillness
Chosen Portion delivers one short contemplative reading and a guided moment of silence each day — the ascent, one step at a time.
Chosen Portion is the paced doorway into this collection: it portions the dense mystical treatises into one daily reading plus guided silence, exactly as the 14-day plan teaches.
- Daily bite-sized excerpts from the contemplative classics, never a wall of text
- A built-in timed stillness practice that grows from 2 minutes to 10
- Gentle progression through the tradition — the app remembers where you are on the ascent